April 28, 2010
Yasmin Vought

Andrew Lancaster’s Accidents Happen tells the tale of fifteen year old Billy Conway (Harrison Gilbertson), an immensely accident prone young man whose life turns around after he causes a fatal car “accident”. Geena Davis plays Billy’s depressed yet immensely strong willed mother, who is dealing with an unwanted divorce an alcoholic son and another son left brain dead after a horrific family accident. The concept of Accidents Happen is self explanatory really, but it is the dissection of how exactly the accidents happen that is the most interesting element of the overall story. The slow motion editing effects during the course of the accidents supports this narrative theme by creating an illusion of time which acts in highlighting the significance and intricacy of the particular moments.

March 30, 2010
Kate Shearston

The White Ribbon follows the children in a small German country town just prior to the beginning of WWI. Director Michael Haneke has said that he wanted to focus on the childhood of those who would grow up to become Nazi’s, and explore factors that may precondition people to adhere to extreme ideologies. The world that he presents is visually idyllic but subject to strict hierarchy, with children effectively powerless and subject to the extreme discipline  and minimal affection of their parents. The film’s narrator is an old man reflecting on his youthful experiences as a schoolteacher, and the series of disturbing events that upset the town.

March 29, 2010
Kate Shearston

Fish Tank provides a view into the life of 15-year-old Mia (Katie Jarvis), living in a British housing estate with her mother and younger sister. Her life is far from idyllic- she truants from school, is bored and lonely, and spends most of her time wandering around picking fights. There is no evidence of friends other than one that is dispatched in the opening of the film. Dancing is Mia’s sole interest, and she sneaks away to an empty apartment for her only moments of relaxation. Her home life is fairly grim, with no apparent father, a disinterested mother, antagonistic sister and no privacy. Her mother is young but worn looking, and Mia and her sister are viewed mostly as an inconvenience, and seem to have been unplanned accidents. One morning Conor (Michael Fassbender), her mother’s new boyfriend, appears in the kitchen and Mia is antagonistic, but fascinated. His presence dramatically changes the dynamics of the household and jolts Mia from her routine.

Fish Tank provides a view into the life of 15-year-old Mia (Katie Jarvis), living in a British housing estate with her mother and younger sister. Her life is far from idyllic- she truants from school, is bored and lonely, and spends most of her time wandering around picking fights. There is no evidence of friends other than one that is dispatched in the opening of the film. Dancing is Mia’s sole interest, and she sneaks away to an empty apartment for her only moments of relaxation.

January 11, 2010
Kate Shearston

The Last Stations tells the story of the last year of Leo Tolstoy’s life, based on the novel by Jay Parini. As someone who knew Tolstoy purely as a novelist, albeit a great one, this film provides an introduction to Tolstoy the philosopher and social theorist, but does so without becoming didactic or mired in theory.

The film is told from the perspective of Valentin (James McAvoy), who we meet as he takes up a coveted position as Tolstoy’s secretary. Valentin arrives glistening with idealism, awed in the presence of Tolstoy and determined to live his life strictly by Tolstoyan ideals. He soon finds himself distracted by the free-thinking Masha (Kerry Condon), and by the increasing conflict in the Tolstoy home. This comes to a head when Tolstoy leaves the house and his wife to live as a wandering ascetic but his ailing health means he only reaches the nearby Astapov station before succumbing to pneumonia.

The Last Stations tells the story of the last year of Leo Tolstoy’s life, based on the novel by Jay Parini. As someone who knew Tolstoy purely as a novelist, albeit a great one, this film provides an introduction to Tolstoy the philosopher and social theorist, but does so without becoming didactic or mired in theory.

December 12, 2009
Ayla Karan

'Fame' operates with the emotional and narrative complexity of advertising and porn, engaging it's audience in the pursuit of the spectacle for it's own ends. The message is 'Success', which sounds a bit like the word 'sex' with the word 'sucks' tacked onto the beginning.

'Fame' operates with the emotional and narrative complexity of advertising and porn, engaging it's audience in the pursuit of the spectacle for it's own ends. The message is 'Success', which sounds a bit like the word 'sex' with the word 'sucks' tacked onto the beginning.
 

October 13, 2009
Che
Yasmin Vought

Shot almost entirely in a cinéma vérité style, this film succeeds in capturing our attention through its documentary style approach to pulling apart of the story of a legend.

Steven Soderbergh’s 2008 film Che, is a biopic based on some of the stories in the life of revolutionist Ernesto "Che" Guevera. Shot almost entirely in a cinéma vérité style, this film succeeds in capturing our attention through its documentary style approach to pulling apart of the story of a legend. The film is split into two sections, Part One: The Argentine, and Part Two: Guerilla.

July 24, 2009
Yasmin Vought

Quiet Chaos is a film adaptation of the award winning (Italy’s highest literary award, The Strega Prize) book by Sandro Veronesi. Nanni Moretti plays Pietro, a man with a high demand job, who has just lost his wife in an accident and is now left to solely care for his daughter, played by Blu Yoshimi. Pietro drops his daughter at school for the first time after his wifes death and overcome by sorrow, he promises to wait for her outside of the school until she finishes for the day. In this time, Pietro watches the world surrounding the school, and finds that he desires to return there the next day, and the day after. Eventually Pietro establishes routines and relationships in this little pocket of the world that he inhabits in the park outside of his daughter’s school.

Quiet Chaos is a film adaptation of the award winning (Italy’s highest literary award, The Strega Prize) book by Sandro Veronesi. Nanni Moretti plays Pietro, a man with a high demand job, who has just lost his wife in an accident and is now left to solely care for his daughter, played by Blu Yoshimi. Pietro drops his daughter at school for the first time after his wifes death and overcome by sorrow, he promises to wait for her outside of the school until she finishes for the day.

April 3, 2009
Yasmin Vought

The Alliance Française French Film Festival, now in its 20th year, did the Sydney circuit this March, displaying some outstanding contemporary cinematic exports from France. One of the highlights in the comedy genre was that of Francis Veber’s latest film adaptation of his successful play, L’Emmerdeur (“A Pain in the Ass”).

The Alliance Française French Film Festival, now in its 20th year, did the Sydney circuit this March, displaying some outstanding contemporary cinematic exports from France. One of the highlights in the comedy genre was that of Francis Veber’s latest film adaptation of his successful play, L’Emmerdeur (“A Pain in the Ass”).

March 13, 2009
Peter Chan

This is not a light movie but it definitely retains a sense of humour. Central to the film is the love story between Samson and Delilah, two teenagers living in a remote central Australian Aboriginal community. Delilah (Marissa Gibson) lives with and cares for her grandmother and Samson (Rowan McNamara) with his brother.

This is not a light movie but it definitely retains a sense of humour. Central to the film is the love story between Samson and Delilah, two teenagers living in a remote central Australian Aboriginal community. Delilah (Marissa Gibson) lives with and cares for her grandmother and Samson (Rowan McNamara) with his brother.