It offers us only public housing estates, these habitats of poverty, fear, and extreme despair and yet, within that world, as a native to it, hope and a wilfully creative urge dwell as the impulse of running water in a frozen place.
Decorating Loos explores the aesthetic impulse through the prism of one of its most basic forms – the desire to embellish the lavatory walls with the mark of our distracted fancy. It does this quite literally through the construction of 15 toilet cubicles in the gallery, each of which is given to an artist to “decorate” according to their practice.
This was a paper I wrote at university on Merlin Carpenter. While I never saw the show in person, having read a short review of it in Art Forum I couldn't get it out of my head until I wrote about it.
The idea for a show of photomedia that excluded the human form came out of two related frustrations I have with this medium. The first is the dominance of the human figure within the commercial and popular photographic industry and the second is the self-congratulations with which much contemporary theory and some of the art based in it reach unthinking, almost absolute conclusions on the anthropomorphic nature of photomedia.
Spending the last of my fortune taking advantage of my friends buying their art at stupid prices all under the principle of NEVER SPEND YOUR LAST DOLLAR PAYING BILLS, BUY AN ICE CREAM (and other justifications for the making of art)